Ronald Jenkees released his third album Days Away today, so I suppose it’s a good time to mention him here.

Jenkees first became famous-on-the-Internet when he began posting videos of himself playing his synthesizer on Youtube. He began each video with the greeting “Hello, Youtubes!”

He’s certainly talented, and I’ve listened to his previous two albums many times. And his latest seems to be at least as good as the previous two.

From a 2008 interview:

Days Away seems to be his first instrumental-only album, the others each featuring two rap songs (their titles helpfully including “rap” in parentheses). Whatever your opinion on rap, I’d recommend listening to 56K (rap) and Let’s Ride (rap) at least once–but try some of his other songs first.

• His Web site
• His Youtube channel
• His Bandcamp page

In the early 1990s, I liked to collect and listen to MOD music files. Some the best ones I came across were by 4-mat of Anarchy.

About twenty years later, I discovered that 4mat (now without the hyphen) was once again releasing new music. His 2010 album Decades was excellent, and has since been followed by several more. His latest, Sans Titre, was released just yesterday. Simmonds is prolific, but manages to maintain a high level of quality.

Although his music falls within the chiptune genre, there is more variety to his work than that label might suggest. There is a consistent “warm” sound to many of his songs that, in addition to their catchiness, distinguishes them from a lot of other chiptunes out there.

To sample his work, I’d recommend starting with Decades and just moving forward through the releases. As for individual standout tracks, these are a few of my favorites from the first two albums:

• “Affectation“
• “Chipmusic Is Dead“
• “Paper Dolls“
• “Surrender“

Simmonds also does sound design for video games. I was interested to learn that he worked on Silent Hill: Origins and Silent Hill: Shattered Memories (both of which I enjoyed, especially Shattered Memories).

You can find an interview with him here, in which he talks about his music and his work on games (including a game that he created himself).

Over the past few years, I’ve come across several For some reason, I’ve come across a lot of very good French synthesizer music from the late 1970s and early 1980s, most of which seems to have only ever been released on vinyl. Fortunately, things that would be hopelessly obscure are often not difficult to find on the Internet.

First and foremost,

The two main albums to look out for are Robot Bleu and Robot Rose, each of which includes one of my two favorite songs of his (but by no means the only good ones), “Paradia” on Robot Rose and “La Suite D’Elsa” on Robot Bleu.

Robot Bleu: Val Verde Music | Dance from Space
Robot Rose: Mutant Sounds
Paradia: Val Verde Music

Next,

I was already familiar with Black Devil Disco Club when I learned that Bernard Fevre had earlier created some very good non-disco synthesizer music. A good album to look for is The Strange World of Bernard Fevre, which has been re-issued as The Strange New World of Bernard Fevre. And a good sample song from that album is “Dali.”

And if you like that album, you’ll probably also like Cosmos 2043.

The Strange World of Bernard Fevre: Mutant Sounds
Cosmos 2043: Funky Frolic

From an interview with Fevre:

And finally,

I don’t know the story behind the albums Sport Music and Sport Music II. I’d guess that they might have been made to accompany television sports. Or maybe not. But I can tell you that they are very good, if you like this sort of thing.

Sport Music Vol. 1: Funky Frolic | Plixid
Sport Music Vol. 2: Funky Frolic | Plixid | The Growing Bin